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The Reservoir Dogs and Sad Dam (Who`s Sane?): An Essay From A Constructionalist Point Of View: Part Three
The Reservoir Dogs and Sad Dam (Who`s Sane?): An Essay From A Constructionalist Point Of View: Part Three
A10s in Iraq were called tank busters. God Almighty. It`s the Ts that protected that Sad Dumb Asshole from our best viruses. That`s why Jesus left the mousetrap. He didn`t see any need for viruses. But clearly the evil needed a mousetrap. So he and God, with the help of his mother Mary, constructed one. It reminds me of T-Rex, the 70s pop group, and Marc Bolan (1947-77), who died in a car accident. The joke was `Car bent tree.` and The Carpenters (1969-83) were better. But he was much missed by his wife and mother. Jesus was not an expert in carpentry, but the cross is an excellent mousetrap. In Tabuk, at the North West Armed Forces Hospital, where I taught helicopter crews English language just prior to 9/11 and thereafter, there`s a 50 metre big pen to indicate that the pen is mightier than the sword, because the Koran 610-32 CE, and the Bible, were written by hand. Very hard work. Not exactly `car-pen-try`, but good advice for writers is always welcome. The car wasn`t a mousetrap, but the joke is. `She`s US` wasn`t laughing; she was June Child (1943-), Marc`s wife.
The Fox and the Raven is a mousetrap and cheese analogy. If the raven were following the story of Jesus as understood by the evil, the raven would throw itself onto the ground and the fox would walk away – without the cheese. Because this is what happens in Jesus` story. He offers Redemption and everything good, but the evil prefer to torture and murder him; and Jesus left the mousetrap for good, God, and heaven. In Aesop`s fable, however, the raven is tricked into dropping it. The fox flatters the raven into thinking it can sing, and the raven letting go of the cheese. However, if we accept Jesus, we can see that the evil flatter themselves into thinking that the raven can`t sing, that is, cheese has appeared mysteriously without explanation, whereas Britney Spears with the cheese has (Jesus) reality, and in reality can sing – because `She`s US`. In other words, the raven has cheese because it can have it without persuading Jesus to commit suicide. In other words, she wants the cheese, so Jesus gave her some. Jesus is a good person – `She`s US`.
The cheese is Jesus because `by faith we can move mountains` (and by patience too – as indicated in the Levi-Strauss` `culinary pyramid`) while the cheese represents any achievement; like Britney Spears in Oops I Did It Again, or Jesus` redemptive performance upon the cross. In short, the fox is to expect unendurable eternal pain forever because the raven is Jesus, and the rewards of endeavour belong to those who work for them. This is why it says in the Bible that the descendants of Adam and Eve `must earn their bread by the sweat of their brow` (Gen: 3.19); because bread is good and working to produce good is good also. It is the work of God who is omnipotently good. However, it is important to understand that the raven is tricked into dropping the cheese (Jesus) and would keep it if it could, because it represents the good that it has worked for. The fox is a parasitical virus that represents an evil spirit (men), and wants the cheese without working for it, and the trap of God closes upon it. But it is important to stress that that is not the aim of the raven, as it is not the aim of Jesus upon the cross that he`s preparing a mousetrap. It`s simply that, if you don`t accept the need to work and, indeed, work for Redemption, hell is inevitable for you. But neither the raven nor Jesus want hell for you, whereas you do if you don`t accept Redemption and won`t work for what is good – as the raven and Jesus did. Because, although it may seem crude, to wank and fuck forever in the best places is heaven, and if the evil don`t want it they`re queer as AIDS.
To return to Britney Spears on Mars, I once conjectured about the meaning of an advert for Topic Bars of chocolate in te 80s in which the protagonist said: `Topic! A hazelnut in every bite! I remembered!` The `narrator` voices over: `Yes. Funny how you always remember right at the end!` But this is about patience being a virtue. It is the mistake of the one caught in the Jesus` trap to think that, having stolen the good cheese that someone else has worked for, they can avoid unendurable eternal pain forever. As it says in the Old Testament: `Thou shalt not steal!`(Ex: 20.15) The `topic` is Jesus and one must not let go of the cheese, which is one`s ability to understand the word of God that enables you to work for and have good cheese. Jesus on Mars (1979) is a novel by Pilip José Farmer and the premise is that, found on Mars, Jesus returns to Earth and is condemned as the Antichrist, because he can`t be Jesus. It` s a simple irony. Anyone`s Jesus if they`re good. Britney shaved her head in February 2007 a few years after Oops I Did It Again (2000)and proclaimed herself the Antichrist, as some of the Popes were thought to be. `I`m not that Innocent!` she says in Oops I Did It Again (some of the Popes were named Innocent to indicate their spiritual power), and she proclaims herself Antichristian a few years later. This was after the Gulf Wars, but is prescient in terms of what seems to have been a crisis of faith, and is hardly surprising given the perception that the Gulf was an excuse for men to symbolically celebrate `AIDS Day` – as every day. In I Wanna Go (2011) Britney responds to the question: `Is it true that you hate puppies?` She ripostes: `Fuck you! Fuck you! Fuck you! You`re cool! [Joke Cool wearing a golden crown] Fuck you!` and points at her interlocutors one by one. In Gulf terms, it`s `Fuck! Cool! Wait!` It`s reminiscent of the battle `Fuck You! Wait!` She`s lost patience and understanding, which is Jesus` archetypal role, and although Jesus left the mousetrap, that is, the evil cannot escape and `She`s US` doesn`t have to be there, she`s still fighting a battle. The lyrics continue: `Shame on me. To need release. Continuously.` It`s about masturbation:
`We keep both my hands above the blanket. When the light`s out!`
In other words, it`s about wanking and fucking, which is a battle that`s worth winning – and `She`s US`, she`s won. In other words, Jesus on Mars was 2000 and Britney on Earth is Blackout in 2007 after declaring her Antichrist status. The main single from the album is Gimme More, which as we have seen is either `bully gimme more` or polygamy – more, that is, the choice is between more bullys (police/please – as in begging) or wanking and fucking – more. It`s a tradition to have a Gimmel ring when three are involved in a marriage, that is, a Gimmel ring has three pieces, and Britney Spears Piece of Me is the other single from Blackout. In short, `Fuck! Cool! Wait!` contains the missing `El` from the equation, and `El` is the almost universally recognized original word for God, so where the `El` is God? Britney`s song is `Gimm-El More`, because in a woman`s marriage there are three pieces to the Gimmel formula. A woman without a penis, and a woman with a penis, who needs a woman with a penis to impregnate her, and Britney`s Pierce`s penetration is required to announce the union. It`s the State of the Union Address, in fact. Across the street is a cinema featuring Crossroads 2: Cross Harder. It`s a reference to her first movie Crossroads and that`s where it`s traditional to hang criminals. In other words, the spaceman as the `Hanged Man` in Oops I Did It Again is an unwanted `suitor`, and one of the questioners at the press conference for the release of the single I Wanna Go asks: `Do you think this suit makes me look fat?` The answer is: `Yes, it does.` Britney`s less polite than in Oops I Did It Again, but she doesn`t say he`s fat. It`s a vaudeville tradition that the `fat lady` sings at the end of the variety show, and it`s a saying in the USA that:
`It`ll be all over when the fat lady sings.`
So, in fact, Britney was being asked to reply: `I`m the fat lady, and it`ll be all over when I sing.` The allusion is from Richard Wagner`s opera The Ring, and the notion that it`s serious music is related to the fact that Siegfried, a hero, is given a magic potion, to forget Brunhilde, and marry Gutrune. Brunhilde, angry, has Hagen murder him, and then gallops on her horse to her funeral pyre, and Valhalla, the home of the gods, burns – including Odin and all of the other gods. Brunhilde`s aria is her `death song`, and so I Wanna Go may be an allusion to Britney`s role as a heroine. In Ernest Reyer`s 1884 opera, Siegfried swears eternal fidelity to Brunhilde and their spirits are joined. For the single Piece Of Me (2007), Britney appeared on the cross in an ostensibly erotic, but doubtless intentionally spiritual Jesus – `She`s US`, and she`s `harder cheese` now because her perceptions of the meaning of the cross have made her harder; she knows, for example, that Jesus is `cheese`, and we trap the rats (men like `Sad Dumb`, the unspeakable abomination that was Saddam Hussein, the sadistic torturer of Kurdistan). In fact, she adopts the role of X-Terminator in the video to exterminate some Terminator types who don`t recognize `She`s US`. At one point, Guillermo Diaz (1971), the Clyde (Barrow) to her Bonnie (Parker),1 as the orangutan Clyde is to Eastwood`s bare knuckle fighter in Every Which Way But Loose (1978), pours a carton of milk over his face, and we perceive that he is the `Cooler`, that is, prison, which is usually perceived in terms of bread and water. If milk produces cheese, what does her butt produce? This Britney Spears is `She`s US` and `harder cheese`, because the jugs the milk came out of are hers. A criminal`s perception is that Jesus escaped from prison, and God saved his butt. At the end of the video, Guillermo Diaz`s eyes burn a fiery red, so who`s going to save Britney? Redemption from Oops I Did It Again, but `Killer More` Diaz has `red eyes`; in other words, the `Killer More` Jazz age was over in the 30s – and it Satanly won`t save you in the 21st
Century. That`s why `Killer More` Jazz puts a fist full of shells into Britney`s hand. They`re pearl oyster shells of the type Aphrodite, Britney`s love goddess on Mars in Oops I Did It
Again, is depicted as rising from the sea upon at her birth – fully formed – in Greek mythology. But Killer More`s `fistful of shells` are in the Sergio Leone movie-style of Clint Eastwood in A
Fistful of Dollars, that is, he`s a gangster who wants her to rise on shells, that is, `red dies`, because `ready money` from her new gangster lifestyle is `reddies` (read Redemption`dies`).
Britney is asked at her press conference: `Is it true that you banned junk food, smiles, candy, sunshine and laughter from your Femme Fatale tour?` Britney on Mars is a chocolate bar, a `Mars Bar`. `Candy` is the name of her clothing line. She`s changed her suit – it was time for Redemption – now the chocolate is wearing her own clothes, and the other `Candy`? The Empress` new clothes? In the Hans Christian Andersen (1805-74) tale, it`s the Emperor`s clothes that are revealed to be nonexistent, that is, he`s revealed to be naked – as he himself perceived it but pretended he wore some. It`s a metaphor. If you`re told you have them, check to see if you do. It`s about power. If they assume you`re powerless, God and `She`s US` are with you. How much more power is required? In other words, it`s safer to assume `She`s US` won and you are saved, because those around you say you have clothes; even though you perceive your own nakedness. The Emperor is clever enough to wait until the cry goes up: `The Emperor has no clothes!` Prior to that, he assumed friendship with those who professed it. As did Jesus, before Judas` betrayal, that is, if you`re told you have friends, and don`t believe it (as Saddam Hussein didn`t believe the USA when they gave him the third largest army in the world), then you don`t want any. In Oops I Did It Again, Britney`s Empress and High Priestess are Romeo and Juliette, but the `reversal` here is that she`s Sheikh Speares, and both parts are played by Britneys because, in W.S` time, all parts were played by men. In simple terms, Britneys are friends, and she can dress herself. Because her friendships aren`t entirely naked, the Empress and her High Priestess have clothes, whereas those who are assured by their friends that they have some and are revealed to not have any (friends) realize that they are naked and – like Jesus – cheese. The only comfort is the unendurable eternal pain that waits for the evil – presumably after the battle:
`Fuck you! 8.`
At a Bell language school in Tripoli, I observed that the symbol on the glass entranceway was a black eight pool ball, which meant the battle for Kuwait was ended, and we could form another line. Shortly, the NATO Alliance attacked Libya. Britney`s pole dancer in Gimme More wasn`t there, although she`s indubitably `She`s US`, because it was Britney`s trip – polygamy – more. In constructionalist terms, Abel language school had to close, because of Caine`s cueing up the 8 ball – again. The Emperor isn`t wearing any clothes. Because it`s clear that a game is being played that isn`t about politics, economics, society, or culture; it`s against civilization and, just as Jesus lef the mousetrap, so Jesus, the `fish`, or `lamb of God`, wasn`t in the pool`s – `Triple League` (minor league AAA baseball in the USA) gamboling (stripper league gambling with `polygamy More`). I don`t know who the poor, poor traitors are, but unendurable eternal pain forever for them is certain. Asset is the name for Isis in Egyptian mythology, and Gimme More, whoever Jimmy More is, seems to be stripping Asset`s clothes from her. Britney Spears once advised me to go to the Hít Gyulakazet, which is a church in Budapest and be born in the waters of the spirit from the pool, so I acquiesced. Naturally. But I can`t help thinking of Lucky, and rumours that she`s `due`. They say a woman `glows` and has a child in her eyes, when she`s expecting; the `heat, due look Asset`, as it were. Isis` remembering of Ra, the sun and moon. In Hungarian, the word for `wanted` is `kell` and, like Britney, Raquel Welch (1940-) has been on the cross. Obviously, Ra `kell` was wanted. Like Jesus. I`m wanted too, obviously. But not by the judicial system. The child of Ra was, of course, Osiris, who was dismembered by the evil Set, perhaps of the `heat, due looker Set`, who`d strip her Asset`s – as they`d eye (IFOR) Raquel`s `rack` in an whores` Iris `eye-rack war` , as it were, which Eve Herzegovina would doubtless win. Isis, in the mythology, restored Osiris, who may be thought of as Britney, the Emperor`s, in the scifi myth Oops I Did It Again, and she`s also her High Priestess in her red suit of Redemption – watching over her newborn at the Hít Gyulakazet? Horus – in the name of `She`s US`.
In Oops I Did It Again, the spaceman Quarter Back is the one that makes the touchdown for the red, white and blue, makes the pass without interception, and remains `on topic`, as it were. Britney appears in both red and white costumes, which suggests that `She`s US` on Mars, that is, there are two wide receivers (Shes us) and the QB`s `gift` is God`s recognition of `good work`. Effectively, there are two Britneys who are `foxy chicks` (Shes us) taking care of herself, because the aim of the men`s protagonist in the fable is to prevent the raven from emerging from the egg. The ideology is that the fox forces the raven to produce, but foxes eat eggs not cheese. In other words, the fox wants the raven`s eggs, which is pre-developmental, that is, homosexuals don`t want other people to live at all, and the fox is a homosexual because it doesn`t produce anything and wants others to produce for it, and doesn`t want anything to be produced, because that`s the nature of homosexuals. The raven`s cheese is what it`s doing when it`s not reproducing, that is, it represents the product of spiritual endeavour. The egg is what it develops from and that is what the fox wants to devour; just as the dragon of Revelation wants to devour the child of the `woman clothed with the sun and with the moon at her feet` (Rev: 12: 1-18) who, as the `new redeemer, is the promise of `egg development` for woman`s ovum rather than `egg devourment`. In Oops I Did It Again Britney is two `foxy ladies` (Shes) and perhaps, as an omniscient narrator, is showing us how to take care of our `chicks`; so the `first law of Britney` would be `My egg!` However, there is no perception that either Redemption, in her red suit, or `She`s US`, in her white one, is jealous of the other`s eggs (but isn`t averse to `other` sex, as it were, with herself, that is), and so Jesus (She`s US) on Mars fulfils God`s injunction against `covetousness` while promoting the idea of, in effect, Easter eggs, which are often chocolate and, of course, symbolic of either an STD (Superbowl Touch Down), or taking good care that your chicks emerge from their eggs and fulfil their developmental potential for themselves.
Traditionally, red wine is for meat and so Britney in red is the red wine and there is the `beefcake` with her `cheesecake` spacebabe, the Dallas `Space` Cowboy who `makes` the TD by handing over the cheese – Jeez! – and a wide receiver`s superbowl ring (presumably). Britney, at one point in the video, even descends in what looks like a huge ritualistic superbowl ring worn by a Giant (NY`s perhaps). Become Britney`s `fishcake`, as the white wine that goes with Jesus` `fish`, the symbol of Jesus as the `fisher of men` in Christianity, her alter ego spacebabe in white, hooks the spaceman and has him look at her from a vantage point above while the camera attached to his space helmet `captures` her on film. It`s reminiscent of the biblical Book of Job in which God asks: `Canst ye pull in leviathan with a fishhook?` (Job: 41.1) God says he can, which is why Satan is the `fish` in Christian iconography. `Hooking up` is American slang for `fucking`, but the spaceman is `hooked up` by Britney (rather than with). He can masturbate if he wants to – and she mightn`t mind; but he can`t do anything else from that position above her. He`s safe, as it were and, effectively, saved. If he wants to watch the blue film he`s recorded and masturbate, she`s sending him home anyway. In other words, masturbation is `safe` and so is she. Perceived wisdom may be that masturbation is a sin, which is why Onan in the Old Testament is condemned by God. However, Onan despises his seed and is Satanic therefore, whereas the masturbator who loves the object of desire is practising safe-sex, which is the safest way to deal with STDs and AIDS, that is, men as alien virus parasites (Satanists) that don`t just make a pass but, in fact, land on your planet (Mars) in order to vicariously `capture` you as a species on a blue video and take you home to vicariously glop on your pulchritude as a prelude to self-perpetuating and self-devouring themselves in yet another global conflict.
Red has `beefcake` (spaceman scene I) drunk with love, as white makes `fishcake`(spaceman scene II) drunk with it also. In Islam, however, alcohol is forbidden, which means that, in order to remain on message, that is, as `Topic Bar` with Britney Spears as `Mars Bar`, you need to accept that drunkenness, rottenness and corruption are – out. Or, to put it another way, the wine of Redemption and the `fish` of salvation are dependant upon the `topic`, which is Jesus (She`s US) – whether in the Koran, in which the `fish` that is `lost` by Moses and Joshua ben Nun at the Red Sea reappears as the wise Khidr, the `evergreen`, or in Christianity as Jesus` symbol of the Christian safety net. Britney`s Spears-eption is that, from her point of view, her `Mars Bar` needs a `Topic Bar`, that is, to focus on the `cheese` in her `beak` as the `raven`, rather than lose eternal life and `croak`, as it were.
Chocolate is preferable to alcohol and `masturbation` is similarly harmless. As with masturbators, chocolate teapots are often ridiculed, but they are enjoyable. You mightn`t be able to drink cheese – everything is permissible but cheese-drinking, as it were. Even if you wanted to, you couldn`t. It`s the law of heaven. Chocolate induces chemical brain reactions similar to those experienced as `falling in love`, so masturbation and feelings of love are, biochemically, `chocolate `. This Britney Spears-eption seems to be that masturbation is preferable to endangerment by STDs representing AIDS, that is, men who want to `hook up` with her rather than be `hooked up` by her – and saved in her net – albeit through glopping on her intangible image as masturbators rather than persuading her into giving birth to self-perpetuating parasitical viruses/men that might be encouraged by their own coercive agitprop conditioning to believe that they love and desire her, whereas in reality they`re STDs that want to bypass her aides (`Martian security`) and give her AIDS – because, well, that`s evil spirits!
Although wine in Islam is forbidden as alcohol, the function of wine in Christianity is illustrative. At the wedding at Canaan it is deemed right by Jesus to change water to wine in order that the man and woman be blessed. At the `last supper` Jesus observes that the wine is his blood and it shall be betrayed by Judas although Christ is offering eternal life and using bread also as a sign that the immortal body shall contain blood. In short, the wine is a metaphor for that which shall be transformed, and in Revelation (14: 19) the pressing of the grapes in the `wine press` of God is an indication of the wrath that shall follow upon man`s betrayal – as Jesus was betrayed by Judas despite his being offered the teachings of the spirit and immortality as an attendant reward for accepting God. Effectively, this indicates that wine is a problem and that water is better – as Islam says, and the concept of being born in the waters of the spirit through baptism concurs in this regard. In simple terms, wine is a medium for activity that is passionate rather than considered, which can even result in what the French observe as crime de passione, that is, murder, rape, or other act of violence, occurring by fact of `diminished responsibility`, and such crimes are often perceived as less premeditated and so forgiveable, which of course is nonsense; murder is murder and being drunk isn`t an excuse for homicide or violation of another person.
The main aspect of the crucifixion is found at the apex of Claude Levi-Strauss` `culinary triangle` of `how culture develops` from fruit (which requires little or no preparation) to meat (which requires the taking of life, and fire – together with observation – in cooking) and to the knowledge that rottenness and corruption produces such foods as cheese, from milk. Jesus upon the cross is placed there by rottenness and corruption (men) and is given vinegar, which is rotten and corrupt wine, to sustain him longer in his torment. Alcohol is absent, that is, it was present, but isn`t. In short, Jesus has been betrayed by someone who`s drunk too much wine, and is corrupt and rotten – as men are. The vinegar therefore signifies patience, understanding, knowledge, and wisdom.
Water is better than wine, `goes with` bread, vinegar, and Jesus (cheese) and, in The Fox and the Raven, the raven is asked to sing to make it drop the cheese, which the supposed music fan promptly steals. If Jesus is the cheese, then the role of the corrupt and rotten is to inveigle or force the good person to renounce Jesus, that is, `drop the Jeez`, as it were, in the American vernacular. Alcohol or wine may be construed as the medium by which evil spirits obtain the cheese, that is, Jesus is the good person murdered by corrupt, drunken rotters. As cheese and vinegar, Jesus is water and bread, but not wine. God`s impatience during Jesus` patient appeal before, during and at his extremity in crucifixion, is to result in anger as God prepares the `grapes of wrath` in God`s `wine press`, because the `wine` of the anger of God (as described in Revelation) is annihilating.
The `woman clothed with the sun and with the moon at her feet`, giving birth to the child in Revelation which will `rule the nations with an iron rod`, is God`s meditation on the transformation of water into wine for the marriage at Canaan (John 2: 6-10) , that is, the child that is described as the `new redeemer` may be understood as being delivered by the woman, whereas Jesus is the `message` delivered by God. In other words, she is the deliverer. Her child is threatened by the dragon of Revelation, which represents the self-devourer as parasitical virus that exists to destroy and make war upon itself and woman. The child with the `iron rod` may be a woman with a penis although it is described as a man but, from the point of view of woman, a man is a woman with a penis because she`s a species and not a parasitical virus. Satan`s advent as the dragon of Revelation precedes his being cast into the pit of fire by Jesus and unendurable eternal pain is the lot of him and his, that is, men as parasitical viral organisms.
Jesus blessed the marriage at Canaan by changing water to wine, but he received torture and vinegar as his portion. He offered wine and immortal life to Judas who betrayed him and, therefore, wine is a symbol of corruption and rottenness but wisdom through patience is `vinegar`, that is, fortitude and endurance. The child of `the woman clothed with the sun` is described in Revelation as the `new redeemer`, but Satan isn`t able to devour the cheese which is the new Jesus, as it were. Satan can`t devour it because it isn`t Satan`s offspring, that is, it is woman with a penis` child and they`re a species not a penis` boy sons (poisons) – AIDS, to select a simple 21st century biblical plague as reification.
In Eden the serpent was a poison penis before it became the dragon of Revelation, and it was about `forbidden fruit`, that is, God gave immortality in the shape of the apple, and the serpent that was to become the dragon of Revelation had Eve eat a poisoned one – out of which she had to extract from God, first Jesus by parthenogenesis and secondly `cheese` or `Jeez` as the trappings of technological development as evinced in Britney Spears` Oops I Did It Again video.
Nowhere does it say in the Bible that Eve doesn`t have a penis, or that Adam doesn`t have a woman`s body with a penis. It merely says that Adam was made in God`s image and Eve emerged from his side when God perceived Adam`s need. Adam may`ve been an hermaphrodite – and Eve also. Although the Bible elides the `problem`, subsequent children would be either boy sons (poisons), or women (with or without a penis). If it became the aim of the boy sons (poisons) to murder their parents and prevent them from being self-reproductive as a species rather than a parasite, then the story of Abel (apple) and Cain would be more understandable. Having eaten the serpent`s poison apple and been told by God to leave Paradise, the `issue`, as it were, is how the boy sons (poisons) are to replace the burgeoning wisdom of a society based on the taking of life and the cooking of meat or the growing of fruit. Cain murders Abel (apple) because his offering to God of cooked meat is more acceptable than Cain`s offering of fruit. In other words, Abel (apple) is murdered because Cain doesn`t want culture or development.
Theoretically, Adam and Eve are hermaphrodites but their species doesn`t endure with their boy sons (poisons) because they, symbolized by Cain`s hatred of culture and development, murder in order to promulgate themselves as parasites (men) through women without a penis, and any move away from the simplicity of self-devourment and perpetuation of the penis` boy sons (poisons) is met with murderous intentions. Cain offers fruit to God, but symbolically it`s the `fruit` of the boy son (poison), that is, the penis as a self-perpetuating serpent that murders its `brother` for being `developed`. In other words, Abel (apple) represents the good path in spite of the bad apple. Abel`s ability would lead to perception, which might include the idea that reproduction with a woman with a penis doesn`t threaten men`s self-perpetuation, although excluded from the `woman has a penis equation` men would be unable to reproduce and might – as parasitical viruses – want to rid themselves of hermaphroditic parents and force women without a penis (the acceptable daughters of Eve) to be their breeding slaves. Abel is, therefore, murdered, to prevent the next stage of progress from occurring, that is, what is to be born from the rottenness and corruption that needs patience and wisdom to endure it. Or, in other words, Abel`s murder is the beginning of a process that will result in the knowledge of the second apple or `fruit of temptation` foisted upon the original parents in Eden to whom God gave the fruit of immortality initially.
The notion of patience is often misconstrued as `dumb`, but may more accurately be labeled `playing dumb` in order to learn what isn`t explicit from what may be discovered as implicit. This is what may be understood as born from perception rather than conception and might be what the virgin birth is designed to prefigure, that is, the self-created rather than the parentally engineered. But the birth is dependant upon drunkenness, rottenness, and corruption being absent from the self-aware. Jesus` perception is that wine is necessary at the marriage at Canaan or the woman would prefer her own species and, for Judas, Jesus` blood is wine. In terms of the `fox and the cheese`, Jesus is the `cheese` but the drunks, rotters, and corrupt don`t want him, so it`s about `dropping Jesus` rather than examining his teachings, which is represented by their giving him vinegar to prolong his torment at the crucifixion. The raven is, therefore, encouraged to let go of Jesus (the cheese) and sing – as a sign of its cultural development – but in singing it abandons the cheese (Jesus), which is the ancient problem of `the path of the world, the flesh and the devil`, that is, how to negotiate it and retain perspective and self-birth through perceptivity. The vinegar of the crucifixion is the capacity for endurance – it`s a sustainer.
In my view, God is the absence of stupidity. Jesus offered everything good, if we were good. The analogy is to eat and drink in heaven forever for free, but the evil preferred to torture and murder Jesus. So he pointed to the cross, explained it was a sprung trap and, as it were, Jesus left the mousetrap for God, but the evil were happy with eternal unendurable pain, and whether they were or not, that`s their lot – snap! The tool of the corrupter and the rotter is drunkenness, that is, alcohol (drugs) are used to `dumb down` so that those who are able (Abel), as it were, because they `play dumb` for long enough to achieve knowledge (the wisdom of the fruit of good and evil), are inveigled into `dropping Jesus` and, by analogy, the cheese. A reading of the Bible suggests that Jesus `played dumb` too. He perceived that marriage was flawed and men didn`t want love, which is why he preached `God`s love`. His difficulty was in separating false wine, that is, the adulterate woman whom he told to `sin no more` (John: 8. 1-11) and forgave, from good, and who are represented by the vessel of the virgin, his mother, by means of whom he is spared being the creature of men who are evil spirited parasitical viruses rather than a species, which role would necessarily devolve rather upon woman with a penis – and that realization would be the means of separation or divorce prior to God`s creation of a new heaven and Earth after the self-devouring beasts (men) have concluded their self-chosen function upon the planet as its destroyers.
As the sole species on the planet, effectively, woman and woman with a penis is the producer for God, the creator, and all civilization, culture, and wisdom comes from her womb, which men seem unable to perceive. Because they are `dumbed` (damned) by themselves and cannot achieve the status of self-created by means of perception. This is a perceived irony of the `fox and the cheese`. The fox flatters the raven that it can sing, and the raven drops the cheese in its attempt to do so. From a developmental point of view, the cheese may be Jesus who `plays dumb` in order to, for example, invent television, that is, he represents Logos, the word of God; or technology from the perspective of two-thousand years of ensuing developing consciousness. But the fox, who can`t operate a TV or read the word of God, has the raven drop Jesus and its invention from the tree, on the understanding that it`ll be a pop star and, when it is, the fox`ll be back for the CD and the hifi. In other words, the raven relinquishes the product of its genius – the cheese – and embarks upon a new career as a diva. It has been `dumbed down` after being intelligent and productive in inventing TV after accepting Jesus and the word of God (the big cheese, as it were), and now it must learn the music industry. But the fox cannot operate a TV or read, and isn`t interested in CDs.
In simple terms, men are viral parasites manifesting as evil spirits that don`t want Jesus, cheese, or anything else – in truth. Excluded from the species `woman` (with or without her penis), they are self-devouring, self-perpetuating, penis boy sons (poisons) that have, through their unperceptive selfishness, produced AIDS and, insofar as that is their paradigm, they may be construed as STDs, that is, parasitical viruses upon the host womb that is the species of woman. Indeed, in American football and English rugby the oval shaped ball can be seen as the woman`s egg that the STDs pass amongst themselves preparatory to making that `superbowl touch down` (STD), which is the triumph of their passing on their self-perpetuating, self-devouring strain of parasitical virus to the future through the host womb of the species on the globe – woman. In Oops I Did It Again (2001) Britney Spears (1982-) is on Mars when the spaceman `touches down` (STD) and she suspends him from the ceiling so that he looks down upon her as the `fox`. She is the self-created, the one born from Britney`s perception (Britney Spears-eption) rather than parentally engineered upon Earth and she also knows what the `cheese` is – and what to do with it:
`For me? Oh, you shouldn`t have!`
In her red suit, she`s Redemption. She`s `played dumb` though well read (the Word of God) in `real life` – as a Southern Baptist in the USA. She`s Venus, `God`s love` having conquered Mars and the astronaut STD, viewed walking backwards – as if the video is being rewound so that he never really arrives – has produced something for her but can never reproduce with her; she has her own women that she `plays dumb` to the cameras with, and she gesticulates as her `boyfriends` collapse – they`re STDs; viral parasites (and not a species as she is), and inevitably must succumb to her superior technological achievements – as the foxy lady who knows how to produce cheese and keep it.
NASA probes indicate there isn`t any water on Mars, or if there is it`s beneath the surface. Perhaps that`s why Britney chose Mars for the setting in Oops I Did It Again? Dessert. Chocolate is a dessert, of course, and Britney`s the Mars Bar. But water is in shorter supply in the desert, and is the source of life and spirit in Arabia; simply because it is more precious than oil, which makes its value recognizable. Christians use it in their baptism because Jesus was born in Palestine. Although they don`t value it as highly as the peoples of the Middle East, Christians` use of water in religious observances is demotic. It denotes what is indescribable and incomprehensible to those who obtain the stuff of existence from a faucet and, never having experienced the perception that, without water, the heat of the midday sun will kill, they are unable to perceive that the connection between water and the living spirit, which is humanity, is actual and not symbolic. In Oops I Did It Again Britney`s spaceman gives her a box, and she opens it and says:
`But I thought the old lady dropped it into the ocean in the end?`
There are no oceans on Mars. The astronaut had found an `artifact` of Britney`s, a small fragment with her likeness upon it in the sands of Mars, and it `speaks` of something to him, as it were. When he locates her, he delivers it as a votive offering, as it were. It`s akin to the `wishing well` concept. The `old lady` would be a well-wisher, and the ocean the extent of her love. Because a Mars spa would be a place for `swimmers`, the spaceman she `hooks up` so that he appears to `float`, as if in weightlessness, isn`t a `fish` but a `hanger on`. In other words, the `old lady` is her well-wisher, so she`s actually waiting for her – and it would seem that she represents an older wiser self, the archetype of the Wise Old Woman, as it were, depicted iconically upon the `artifact` which, like The Sentinel in Clarke`s 2001, is enigmatic and pregnant with meaning. However, Britney`s question relates to the box gift and we don`t see what`s inside it. The `Heart of the Ocean` is the name of the blue diamond worn by Kate Winslet (1975-) in the movie Titanic (1997). It correlates with Romeo and Juliette, the red and the white, as Britney appears as the High Priestess (Romeo) and Empress (Juliette), and the blue for the `Stars and Stripes Forever` (John Philip Sousa 1896) motif, along with the `silver stars` of heaven, of course, which denote valour – as do `purple hearts`, in the US Army. So, Britney is awarding her `old lady` silver stars and purple hearts as a `hearts and stars` bouquet, as it were. The movie is about the discovery of a nude drawing of a woman, Rose`, and her necklace fashioned from the `Heart of the Ocean` blue diamond.
Aboard the Titanic Rose had known Jack, who`d drawn her nude, and there was a `frame`. Jack, in fact` was framed as a thief of the diamond necklace, but before the sinking of the Titanic the actual perpetrator of the crime, faking care for her, wraps Rose in his coat, and she later finds the necklace in its pocket. It`s important from the perspective of the author who is best known for his series of novels about a world called Dune, that is, Frank Herbert, who wrote of a desert world such as Mars, and as a part of the tour de force, as it were, produced the concept of the Butler Jihad, which was the idea that the fruits of the imagination weren`t good, and in accordance with that notion William Butler led a Jihad to destroy anything which was indicative of imagination. It was a lamented chapter in the history of Herbert`s Dune novels, but something from which civilization had recovered. It had relation to Heinlein`s idea of a space-time car that could access all imagination – as reality. Guillermo Diaz, in the I Wanna Go Britney video, is a butleresque assistant, because he pours milk over his face and, from the perspective of Britney she has the jugs and so represents the cheese, that is, in terms of the relationship, he`s someone who wants to milk her tits, that is, from his POV she`s a `cash cow`.
Britney might milk your balls, but that`s not possible, because balls produce spunk, as milk produces cheese. Perceptions of Jesus are distorted by the wine to vinegar symbolism. Both Jesus and Judas drank wine at the `last supper`, so each was affected but in different ways. Judas went on to betray, whereas Jesus` triumph is symbolized by the vinegar, which is wine transformed, and not simply pissed out after betraying. In other words, Britney Spears has balls as well as tits, and so vinegar and cheese are her triumph. A futanarian relationship in which a woman has balls and a penis as well as the `ordinary equipment` of a woman is a relationship in which ball spunking and breast milking are an ingredient between women, whereas a relationship in which a man is getting his balls milked by a woman is, pejoratively, inaccurate. In Jesus` terms, balls produce vinegar and breasts produce cheese, and in futanarian terms you don`t want to milk a man`s balls if you know how to get your own cheese, and produce your own vinegar. From the artistic POV, good work is an exorcism of whatever poisons are consequential to the prevailing predominant phenomenal determinants, that is, men, in terms of parasitical viral organisms preying on woman as a species. Consequently, fictional constructs are paradigmatic, not finished works. It is the place that`s important, not the events. In simple terms, there is a single fivefold paradigm for human nature, and that is wanking, fucking, eating and drinking, followed by periodic intervals of sleep, and development in accordance with those basic principles, is what imagination is about.
Jack, in Titanic, was framed and betrayed by a manservant of Rose`s fiancée, Cal, on the instructions of Cal, that is, `the butler did it`, which means that imagination was evil in this case, whereas imagination per se is not. Fiction is about paradigms, not plot, characters, and events. Britney is allusive in Oops I Did It Again, and there`s a story, but it`s not about anything other than the paradigm. Rose wants Jack to draw her naked wearing the `Heart of the Ocean`, and so he does, which is erotic. Britney, with her spaceman suspended above, has him film her and use his imagination, as it were, which is that she wants to masturbate, fuck, eat, drink, sleep, and develop from there, and that is what Britney`s imagination on Mars is for. She doesn`t want a `man` to feign care for her while preparing to betray her and her love of imagination, because her imagination is constructive and she can love the products of it. Because of the `Butler principle`, we might conclude that imaginated constructs are for woman and not men, because they are for a species that loves. In other words, it is not about `what the butler saw`, it is about what Britney – or any woman – wants the butler to see, and she doesn`t want the butler to see anything more because the butler doesn`t have any imagination, otherwise she`d be for the butler and she isn`t. In short, the film is for her, and what one imagines is for the imaginer. Or, to put it another way, fiction requires a cipher to blame, that is, cipher and not `scifi`, which means that, in Romeo and Juliette, the friar who doesn`t arrange for the letter to reach Romeo explaining that Juliette is only sleeping in order to avoid her unwanted suitor, is a cipher, that is, Oops I Did It Again is `sci for her`, that is, it isn`t about who`s to blame, it`s about fictional construction that perceives the need for plot thrust, which requires a `cipher`, often because cowardice, of one form or another, is an impediment or an impetus. In simple terms, Cal isn`t brave enough to accept he`s lost Rose, and Juliette doesn`t feel powerful enough to reject her unwanted would-be beau, so the `sci for her` in Britney`s video is the statement that it`s for her, that is, it`s her paradigmatic imaginated construct, and there are no `ciphers` because she has Redemption, in the form of her Empress and High Priestess, who`ve accepted `She`s US`, and there`s no blame to be attached, because she`s in control of her imagination and it`s good.
At the end of Rose`s life, she walks to the stern of the salvage ship that is `resurrecting` the Titanic, which sank in 1912 on its maiden voyage to New York, and drops the diamond into the ocean. It`s important from the perspective of Oops I Did It Again, because of the `hanged man` motif, that is, the traitor. In Romeo and Juliette, the tragedy occurs because a letter explaining to Romeo that Juliette has only taken a sleeping potion to escape the unwanted `suitor`, goes astray, and he suicides thinking she`s dead. When she wakes, she stabs herself to be with Romeo in heaven and, of course, herself is both Romeo and Juliette in the video, so it`s doubly tragic. Britney is saying that someone has betrayed her because of a letter. She is `Rose` because of the picture of her on the `artifact` that her spaceman finds in the sands of Mars. The gift he delivers is the `Heart of the Ocean`, which is Rose`s, that is, the Titanic Rose with the `Heart of the Ocean`, a symbol, as it were, of resurrection but not of Redemption for the traitor. Naturally, but in saying that a letter has betrayed her, it`s an allusion to love, that is, she loves and it is plain that the first letter of love is `El`, which means God and references the Gimm-El ring, which is for three women, herself as the High Priestess (Redemption), the white Empress (Resurrection), and the `Old Lady`, blue (Annunciation), that is, the announcing of the name of the redeemed.
Redemption, of course, means eternal life. The human body is about 60% water, which leaves room for 40% spiritual improvement. If the body`s system is cleaned of impurities, such as nicotine or alcohol, we are closer to immortality, and that is what the science of alchemy tells us in its allusions to the aurum philosophicorum, that is, the `gold of the philosophers` as purity of body and spirit. The word `alchemy` actually derives from `Al Khem`, which is Egyptian for `the Earth`, and that`s why the Nile is associated with the `risen` Osiris, representing what is `grown` by the waters of the Earth – and is immortal.
What is grown by the Egyptian farming communities is, of course, food; but the analogy implies that it is water and the spirit that is more important. In the biblical Revelation, the red dragon waits to devour the child of `the woman clothed with the sun and with the moon at her feet`. Its mythological counterpart is Saturn (Satan), the cannibal for whom children were food. In Greek mythology, he is Chronos, which means `time`, and the meaning of the myth is that women are fertilized so that the Evil One may devour their offspring. In the Egyptian myth of Osiris `risen` with the corn, the analogy is that the body is food. Men are fertilizer, that is, without water and the spirit, they are merely waiting to devour their offspring and have them return to the soil as – fertilizer.
It is the notion that the body is not important rather than that the spirit is more important. The spirit informs the body, which is what the Paraclete or Holy Spirit does; as continuing teacher in Jesus` stead after his resurrection and ascension. It informs the body as `tutelary guide`, and may be understood as the `spirit of Liberty` in the sense that it liberates. Those who equate life with food are to be crop fertilizer. Those who accept Jesus` teachings of love, and the informing guidance of the Paraclete, are born from the waters of the spirit, and are eternally saved; because they accept Jesus as water, spirit and life, rather than the body as food and fertilizer. Or, put simply, for the devourer it`s about food, and for the lover it`s about life.
`If music be the food of love, play on…` W.S` Twelfth Night, Act 1, Scene 1, 1-3.
`Let`s take on the song…` Me Against The Music, Britney Spears
1 Gangsters eliminated by US marshalls in 1934.
About the Author
Received a Ph.D in English in 1993 from the University of Kingston-Upon-Hull, England, for research thesis titled ‘Jungian Archetypes in the work of [science fiction writer] Robert A. Heinlein’. Most recently published non-fiction in June 2008′s Humanizing Language Teaching online journal with an article based on English language teaching experiences in Khartoum, Sudan, West Africa, titled ‘Bitchin’ English’, in December 2009`s HLT with `Our Old Man In Oman` and February 2010`s `The Further Adventures of Dr Usher`. First published article ‘Robert A. Heinlein: Theologist?’ in the British journal of science fiction Foundation (54). Pedagogic article ‘Learning to Study’ in the Hungarian Institute for Educational Research’s
journal Educatio (3) in 1995.
